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Bored & Thirsty

The inside-out look at the NYC service industry.

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A Real Dive: Part 2

Join Liz Burbach as she enters the world of Hell’s Kitchen and Rudy’s Bar & Grill to explore some of the historical, social, cultural, and economic contexts that shaped them both and that continue to inform their development—like it or not.

Come on in and meet some the people of Hell’s Kitchen and Rudy’s Bar and Grill!

The Author Qualifies:

Hell’s Kitchen is surrounded by lore—stories transmitted person to person—and legend—a passed down story that is presented as fact but is unlikely to be true.  But little substantial historical record exists for Hell's Kitchen, which is often the case with populations considered unsavory by the power-holding population.  I’ve gone out and talked to people, preferring their stories to the stories of journalists, and I’ve combined them both.

I focus on the underbelly of Hell’s Kitchen, which is the most written about aspect and the aspect outsiders seem most interested in.  I do so because that is the theme of this series.  But the full history of Hell’s Kitchen is one of people who made homes, raised children, tended gardens, wept and laughed and danced and protected one another.  People who did not necessarily perceive Hell’s Kitchen as a slum, but as a home.  People who did not conceive themselves as criminals or involved in criminal activities because it, whatever it was, was just how things were done and everyone needed to get by as best they could.  People who did notcommit violent acts upon others nor condone them.

Importantly, when asked about “the old days,” most people I spoke with began with beauty, recalling stories of street games and supper clubs and the pride in dressing to the nines to spend an evening out with the lady friend; stories of baseball and family and, yes, the feeling of safety.  Even relating the negative was done with an air of nostalgia, highlighting the disparity between the past and the present and the preference for a way of life quickly disappearing.

Welcome to Hell’s Kitchen

If Hell is filled with evil, torment, and unremitting anguish, the hottest, vilest, most horrific place imaginable, where would its worst place be?  The kitchen.  Hell’s Kitchen.

Countless stories circulate about how Hell’s Kitchen got its name.  It’s been said that Hell’s Kitchen is a designation transplanted from a similar slum in South London, or taken from a dive of the same name at Corlear’s Hook on the southern edge of the East River piers, notorious for bad guys, gangs and “river pirates,” or from a diner owned by the Heil family popular with West Side dockworkers in the late 1800’s, and mispronounced as “Hell”—thus Heil’s Kitchen becomes Hell’s Kitchen.

The name may come from the Hell’s Kitchen Gang, established in the late 1860s, one of the first professional and organized criminal gangs in the City, as opposed to gangs who mostly waged war against each other.

Some say the original Hell’s Kitchen was a rookery—an old-law tenement, dilapidated, unfit to live in, the worst of the worst—sometimes said to be located on 54th and 10th and other times on 39th between 9th and 10th.   Places and spaces on the West Side were known by many names, such as “Battle Row” and the “House of Blazes,” mostly coined by cops and the press.  The name of a physical place, like a rookery, might be extended to a larger space, like the block on which the rookery sat or the larger geographic area in which the rookery resided.

The most repeated tale is of two Irish cops watching a riot on 39th Street.  Horrified at what he sees, the rookie cop says: “The place is hell itself.”  “Hell’s a mild climate,” replies the veteran cop. “This is Hell’s Kitchen, no less.”

Hell’s Kitchen.  The name says it all.  From wherever it came, Hell’s Kitchen stuck around the late 1800s. 

The bounds of Hell’s Kitchen are debated, and change over time.  During some eras and from some perspectives, it was as far down as 23rd Street up to 59th, on 23rd but only up to 40th, or only between 36th and 41st Streets, or from 40th to 59th.  Let’s agree for now that Hell’s Kitchen begins at 34th Street and ends at 59th Street, extending west of 8th Avenue, but not including the Avenue itself, to the Hudson River.

The area was once called Bloemendaal, or “vale of flowers.”  Bloomingdale covered the west side of Manhattan along the North River (now the Hudson), a vast expanse of beautiful grassy knolls and streams and hills with some patches of outright wilderness from 23rd Street to 125th Street.  The Great Kill stream ran through what is now West 42nd Street.  For over 200 years, Bloomingdale was predominately farmland with a few hamlets, as well as a place for country estates and suburban mansions for the wealthy.

In 1851, the once beautiful countryside was made into a ghetto almost overnight. It began with the opening of the Hudson River Railroad on 11th Avenue, joining the docks to land in speedier transport of products.  Massive industry followed: slaughterhouses, dairies, soap factories, tanneries, breweries, iron foundries, and lumberyards.  New immigrants followed the work, mostly German and Irish, who set up shanties in vacant lots between 37th and 50th  Streets where they raised pigs and goats, scavenged, worked as day laborers and in the new factories. They joined a previous enclave of African Americans who moved in during the 1840s while working on the Croton Aqueduct.

Poorly constructed tenements were hastily raised to house the immigrant laborers.  Tenements were 3 to 5 stories high, holding 4 apartments a floor, each usually equipped with a parlor/kitchen and a bedroom.  Quite often multiple families were squeezed into the same dwelling. Tenements had little or no ventilation or plumbing.  Communal toilets were located at the back of buildings.  Water was fetched from a shared well or faucet, heated on the wood, coal, or gas stove.  The bath was the kitchen sink.  Chamber pots, garbage, and other waste were often thrown out a window and onto the street. Many of these tenements stand today, refurbished with modern amenities to a greater or lesser degree.  This author’s bathtub still stands in her kitchen.

The residential area smack in the heart of industry was toxic—filled with soot, smoke, fumes, and other stink.  By 1871 there were 46 slaughterhouses in HK, draining blood and offal into gutters, where children played.  The “offal dock” was located at 38th where dead animals from all over the city were taken to be burned or sent to a glue factory.  Garbage and other refuse lay piled in gutters along 10th and 11th Avenues.  Children hawked newspapers on the street, fought, picked pockets, and flew pigeons from rooftops.  Men drank.  Goats and hungry dogs wandered the streets.  What sunlight industrial waste did not block from the sky, the 9th Avenue El did.  The Hudson River Railroad caused so many deaths that 11th Avenue was called Death Avenue.

An 1881 New York Times article described one sector of the new slum in a way that would echo throughout the neighborhood: “The entire locality is probably the lowest and filthiest in the City, a locality where law and order are openly defied, where might makes right, and depravity revels riotously in squalor and reeking filth.”  Over the decades things changed while remaining the same.

Hell’s Kitchen has had a diverse population, impacted by world events.  At the turn of 19th century, the population was still mostly German and Irish.  HK had the highest concentration of Irish on the island, seconded in the city by Brooklyn’s Navy Yard and Red Hook.  Italians, Greeks, and Eastern Europeans, mostly Polish and Yugoslavian, soon followed.  A French enclave held forth on 49th and 50th Streets.  Post-WWII saw a wave of African  Americans from the south, as well as Puerto Ricans.  The neighborhood also attracted immigrants from elsewhere in Latin America and the Caribbean including Peruvians, Ecuadorians, and Cubans.

A marginal neighborhood composed of marginalized immigrant populations, Hell’s Kitchen developed into an insular community with a specific code of honor, the “West Side Code,” understood and adhered to by all, criminal and non-criminal alike.  The Code is grounded on the idea of protecting the Kitchen and its people from outsiders who cared little about it. The Code is simple: In Hell’s Kitchen, we take care of things ourselves, we don’t betray our own, and we don’t rat to the cops. What is of the Kitchen stays in the Kitchen.

By: Elizabeth A. Burbach

UP NEXT: Gangster's Paradise

**Thank you to all who shared their personal stories and insights with me. 

Below are a few of the written sources that I referenced that might interest you:

Anonymous.  1881.  “A Notorious Locality; Rookeries Which None But The Police Dare Enter.” The New York Times.  September 22, 1881.

Herbert Asbury.  1927.  Gangs of New York.

Edwin G. Burrows.  1999.  Gotham: A History of New York City to 1898.

City History Club of New York. 1909.  Historical Guide to the City of New York.

T. J. English.  1990.  The Westies: Inside the Hell’s Kitchen Irish Mob.

The Federal Writers' Project.  1939. The WPA Guide to New York City: The Federal Writers' Project Guide to 1930s New York.

Hell’s Kitchen Neighborhood Association.  http://hknanyc.org.

Dennis Hevesi.  2002.  “In Hell's Kitchen, a Changing Skyline.”  The New York Times.  May 12, 2002.

Richard O’Connor.  1958.  Hell’s Kitchen: The Riotous Days of New York’s West Side.

John Strausbaugh.  2007.  “Turf of Gangs and Gangsters.”  The New York Times.  August 17, 2007.

Tuesday 01.15.13
Posted by Corey Maloney
Comments: 0
 

The Bar Don't Lie: F.O.M.O

Growing up on Cape Cod, New York City felt thousands of miles away.  But there was one part of my personality that, even from an early age, suggested I would find my way to The City That Never Sleeps.

I hated going to bed.

There was no limit to what I would do to put off going to sleep, even sitting near the top of the stairs to watch TV through the reflection on the small glass window at the top of our front door.  I would make up random questions that I had to ask my parents, and then when exiled back upstairs, I would read under the covers using a glow worm.

It wasn’t that I had anything against going to sleep, as evidenced by my propensity to flail my arms violently whenever woken up prematurely.  I just didn’t want to miss out on anything.  Like most kids, I assumed that my parents played forbidden games and broke out all sorts of illicit candy after I was forced to retire for the evening.

I was a lot of fun, which made it unlikely they’d tired of my company.  That only left the possibility that something cool was taking place.  This fear that I would miss something, now an actual medical condition known by the doctors at Urban Dictionary as FOMO (Fear of Missing Out), lasted throughout college.

Maybe it, and not my ex girlfriend, was what brought me to the city six years ago.

Maybe not, but it made me sympathetic to all the people lining my bar at four in the morning.  I felt a kinship to these people, who were similarly afflicted, and we formed an impromptu FOMO support group.

Over the years I started noticing something strange.  Like Ed Norton infiltrating support groups for maladies he didn’t have, in order to deal with the ones he did in Fight Club, there were imposters.

These fakers, these frauds, were not afraid of missing out on the sort of cool goings-on that only happen at five fifteen in the morning, they just didn’t want to go home.  At first glance those two may seem to be one in the same, but it’s like all squares being rectangles while all rectangles are not squares.

These men and women, peppered amongst the people I had seen myself in, were not pushing off fatigue in order to be there when lightning struck.  They were actively trying to avoid going home, and more importantly, what going home represented.  Those of us suffering from FOMO love being home once we get there.  We just don’t want anyone to experience anything without us.

The imposters? They hate home.

There is something so bad about what awaits them, or what doesn’t, that they would rather slink into a bar and drink alone.  This could occasionally result from a broken air conditioner or some other form of insufferable environmental condition in their apartment, but most of the time it’s a human being they are avoiding.

They sit towards the end of the bar, staring off into space, on an emotional see-saw.  First, they began to relax and enjoy that they’ve put off going home a bit longer.  The longer they sit, the softer the music gets and the louder the lights get.  The bright quiet reveals an inner voice that is shouting at them to go home.  Snickering as it waves a finger in their faces, telling them it’s all over now.

As much as I want to feel sorry for these people, I don’t.

Their negative energy clogs the air far more than the cigarette smoke that is allowed in most bars after four in the morning.  It scares away the inhibition snuffing magic that has been dying to come out, and it makes everyone uncomfortable.

It becomes a living breathing thing, and it is only happy when it forces everyone else to go home.

The Bar is like a jukebox.  With the right people putting quarters in you can create a great vibe in any setting.  Screw with the mood, or allow one person to play five dollars worth of ‘November Rain’, and the night is over.

What you’re avoiding feels the same way that you do.  If one of you doesn’t say anything, you could waste years passing by each other, grazing each other’s hands and having conversations from different rooms.

The Bar says that it didn’t take balls for the band to keep playing while the Titanic sank, giving hope to the hopeless, but it took them to jump off into the cold black sea, not knowing what awaited them on the other side.

And The Bar don’t lie.

Tuesday 01.15.13
Posted by Corey Maloney
Comments: 0
 

End of The World Feat. Ron Zacapa

Chances were, the Mayans were no more right than David Koresh, the people of Jonestown with the Kool-aid-stained lips, or the guy at Port Authority with questionable hygiene and unquestionable faith that "the time is near".  But, just in case, Bored and Thirsty decided to go out in style.  

And what could be more stylish than an amazing night of eating and drinking featuring custom Ron Zacapa cocktails and food from renowned chef David Burke?

Nothing.  The answer, my friends, is nothing.  

For the uninitiated, Ron Zacapa is a first-class Guatemalan rum crafted high up in the mountains, and they provided some amazing libations to ring in the end of the world, or celebrate it's continued existence.  For those of you thinking rum isn't for you, and no matter how much care in taken to ensure the integrity of the process, you wouldn't be interested in trying some fancy version of Bacardi, I have a story for you.

I used to hate brussell sprouts.  Like really, really hate them.  But then, someone introduced me to them in a way that wasn't boring, steamed, and mushy.  They had Manchego cheese, ham, and were borderline-crunchy.  Ever since I've found dozens of other ways to make something I love out of something I once hated.  

Ron Zacapa is rum, but just like those brusell sprouts, it is a whole lot more.  It's too good to be stereotyped, and too good to not enjoy on the rocks or in a signature cocktail along side some food from one of the city's top chefs.   

If that's not enough to sway you, then consider the possibility that the world could have actually ended.  No one could say for sure whether it really would, and statistics say, for many people out there, the world did actually end.  

Now consider how much we love and respect our friends.

On what could have been our last night together, we chose to drink Ron Zacapa.  

Now that a new age is upon us, consider elevating your beverage the next time you find yourself faced with a shelf full of the same-old boring spirits.  As you can see from the pictures, you won't be sorry.

At least not until you're on a Greyhound bus home for Christmas the next morning. 

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tags: Ron Zacapa, Bored and Thirsty, Events, Mayans
Wednesday 12.26.12
Posted by Corey Maloney
Comments: 0
 
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"Bored & Thirsty is the inside-out look at the people of the NYC service industry.  Their hopes and fears.  Their pasts, presents, and more importantly, their futures."  - CJM, Editor